Figure Drawing

In the past month or so, I’ve embarked on learning how to draw the human figure. I think that the figure is one of the most, if not the most, challenging objects to draw. The problem is that the shape never stays exactly the same and there are a myrriad number of poses that the figure can achieve and angles that it can be drawn from. Things get even more complicated as the figure can be male, female, child, overweight, skinny, muscular, tall, covered in clothing etc. So how do you go about drawing the figure?

A temptation when drawing the figure is to start out drawing in all the details. We start by drawing in buldges, indentations, curves and contours and …. well, we get so caught up in the details that we forget the foundation.

One of the best books that I have found on learning to draw the human form is Andrew Loomis’ book “Figure Drawing for all it’s worth”. It’s an older book (1949) and I don’t believe that there are any reprints in the making, but (a bit pricey) used copy can be found at

Loomis begins by talking about the figure’s proportions. If you don’t get those right, everything else will look wrong. In order to draw the figure with the proper proportions the trick is to draw a lot of the same figure (from the front and side). That helps your mind get used to the length of each main body mass. To help, Loomis suggests using a simplified version of the human body, what he calls the ‘mannikin frame’ (see my version above).

The mannikin helps not only to nail down the proper proportions of the main body parts (head, neck, rib cage, shoulders, arms, legs, hips, and feet), but is also great to setup and test poses and camera angles. Loomis suggests that you master the mannikin (drawing it from all conceivable angles and in all sorts of positions) and then worry about adding bone, muscle, sinew and drapery details later. The mannikin is basically the ‘blocking’ stage of the drawn figure. Get that right, and the foundation will be right. After you get that foundation right, then you worry about the details. So I’ve been practicing drawing mannikins for the last month or so. My initial attempts weren’t too encouraging, but the trick to not getting discouraged is to push through the last drawing and draw another. Even though I’m not completely satisfied with my mannikin above, I think it’s getting better… it sort of looks human even.